This is a two-color wood reduction block... The image was cut and printed in stages from one piece of wood.
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Ridgefield Scene #2 (13/40)
Hand printed linoleum block print on Japanese paper.
Mansion, new year's eve
Pg.1 of two page drawing in sketchbook
Mansion, new year's eve
Pg.2 of sketchbook drawing
Ridgefield Scene (orange)
Ridgefield Scene (red)
Untitled
Approx. 16"x20" woodblock print, on full sheet of kitakata paper. #6/6
Autumn tree.
Drawing ink monoprint postcard. Nov.2008
Happy Halloween: Maybe this year you could take the mask off.
After Rouault's 'Who does not wear a mask?'. 3"x4" Lino. on gray BFK.
Frog, by Stefan.
Fun with India ink and a brush.
Andrew the Intrepid
Andrew Goria as an early explorer of the Americas. Brush &India ink.
Sketch of Chaim Sautine's 'Le Petit Patissier' c.1921 (PAM)
Ball point pen, 10/7/2008.
Small watercolor crayon sketch.
July, 2009
Paper magnolia instalation. (3D design class)
By request: magnolias made from paper bags (pink printed off yard debris found on way to bus stop), fine wire and rusty bailing wire.
Illustration concept for 'Rolling One-Handed', by Loretta Stinson
'I remember the room got dark and I peed my pants.' -the little girl in the corner.
Window into another world, Ridgefield, WA. (partial)
Monotype print. 9/2009
'Reconcile' print (15/24),
3"x4" Linolium block. 9/2009
Self portrait (partial) in monotype.
9/2009. From a gray and white photo.
Detail of the 'S' page. Pen & ink, ink wash.
Sagitarious, Seward (AK and William H.), shed, Solzhenitsyn, Soren (Kierkegaard), Strauss and Schubert, to name a few.
Detail of 'Dotshound in the Dark, #1' monotype print.
First adventure in monotype.
Ah! my pants fell down!
Once again, drawing at a coffee shop.
Bist du uber treandy?
Drawing outside Guapo comics & coffee, SE Foster.
Working Title- Uncle Sam
Woodblock print, from first test printing. Includes working notes.
Twinings and a Lime
Still life in pen and ink, ink wash
'Winter', Wassily Kandinsky
Reba Rose, 6/11/2009
The Reba McEntire Grand Floura. This reminds me of a gaudy over-size t-shirt my friend Monty used to wear, with her image on it.
White Roses #1, Washington Park 6/11/2009
Gouache on illustration board.
Illustration for 'Crime and Punishment' by Philip Reisman
Pg. 234, Illustrated Modern Library Ed. 1944/'45. Rodya seats Sonia the prostitute beside his mother and sister: 'Please sit down...Allow me--not there. Sit here.'
Brian invited this viewer to make meaning... of the face he drew on this card. Hopefully this does not constitute mail fraud.
'Ce sera la derniere, petit pere!'
'This will be the last, Papa!' 1927 This lithograph by Rouault strikes me as rather profound.
'Woman Taken in Adultery' Max Beckman
It was only a matter of time before German Expressionism made its way here.
Upright Bass {first state}, 2/13. Stefan Wolf
Woodblock print. Inspired by Sunday morning jazz at the Downtown Coffee House in Talent, OR. I remember it being a beautiful Spring morning. After coffee I went out and did some watercolor painting at a pear orchard up the back roads. All this happened before I discovered Wordsworth.
Untitled, 11/16. Stefan Wolf
Woodblock print (Sept, 2008). Series began in brown ink, with black ink being added in gradually during the process. This is to some extent a self portrait.
'Better to be Abel than Cain' Illustration by Marcus Stone
'Bradley toiled on, chained heavily to the idea of his hatred and his vengeance, and thinking how he might have satiated both in many better ways than the way he had taken. The instrument might have been better, the spot and the hour might have been better chosen.' -Charles Dickens, 'Our Mutual Friend' (Book the Fourth, Ch.VII)
Illustration for 'Wuthering Heights'
Woodblock print by Fritz Eichenberg. I came across this artist's work in a bookshop in Anchorage, Alaska. His work has influenced my interest in printmaking, and is also an original sourse for my interest in Russian liturature.
'Fille, or Femme aux Cheveux Roux', 1908
One of Rouault's paintings (watercolor, gouache, and pastel on mounted paper) of prostitutes.
'Tete de clown' 1907
One of Rouault's many images of the clown.
Doodle in Art 112 Reader
Talk about image aquirement and reproduction! Here we have a scan of copy (which I modified) of a text book reproduction (Fig.4.1, Pg.144) of a photograph of Alice Liddel ('Alice in Wonderland') taken by Julia Margaret Cameron, and titled 'Pomona' (1872). I'm sure my good friend Paul M. will appreciate the Duchampian touch. The caption reads 'Here in my hand, I hold your brain'.
Sketch on the bus on a brown paper bag.
Drawn September 2, 2008, in the pre art school days.
'For Lack of a Better Title: The Devil'
Yet more India ink and gouache, and once again freehand
Untitled
Another sketch (so to speak) in India ink and gouache
Grid show studies. India ink and gouache. Freehand brushwork.
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This image first took shape as a 16"x20" woodblock. With Rouault's assistance problems were overcome, and now this image takes shape in painted form as part of a grid show due to open in the Pearl later this summer (Along with 149 other pieces, all on a common theme).
Brian T.
'You drew me looking like Bert Reynolds.'
About Me
Sketchbook, 7/5/2009
Various fine felt-tip pens (Pigma & Faber-Castell).
Sketchbook, 9/20/2008
Pen & ink (black acrylic/walnut), pencil.
Another sample sketchbook page, 9/24/2009
Freehand pen and ink, from photo & still-life.
Rev. Paisley, is that you?
Pen and ink, from a photo. (This drawing is certified pencil free)
A Tight Fit
Modified contour (freehand) in Sharpie and felt tip markers.
Panzerbleistift 2B
Would it be too much to say, the pen is mightier than the sword.
Panzerbleistift 4H
It doesn't have to make sense to be funny.
Sample sketchbook page.
You see what life can be like without medication?
White Rose 2, Washington Park 6/11/2009
Gouache on watercolor paper.
Leaf & Advert. Monoprint #2
Watercolor monoprint with back page out of a paperback book.
colorbob
Example of older postcard
Lebedyev
'What's credit? Where will credit take you?'
Philistine
A dialogue from Solzhenitsyn's 'Cancer Ward'.
Raskolnikov
Relating Roddy's point of redemption to Cain's conversation with God.
starewell
A common view into my life.
These Truths
Are they so self evident?
To K & K
To quote Jane Austen...
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